Monday, 12 December 2016

kill bill vol. 2


In the first shot we see of the scene the camera is tracking backwards from a medium close up of a the bride in a church, the medium close up is used to show the emotion that she is feeling. This was created to start off by setting the scene and show that where the scene was and who the scene was based around. In the second shot we see a point of view shot from the bride looking out to a doorway with doors open and bright lighting coming in from outside the doors. The character looking shows the audience where they are walking to and where they are going, this is a way to set the scene and create curiousness towards the audience as it makes them also want to know what is out there. In the third shot, which is a reaction shot, we see the bride reacting to a pipe being played.  

In the fourth shot we see the door way with the woman exiting it. Using mid-shot and the rule of thirds. This is shot is important as it shows us where she is going. In the Fifth shot we see a Bill sitting outside playing a pipe with bride in the out of focus staring out away from him. This is shown using a low angle with a close -up of Bill and a long shot of the bride in the background. In shot six we see an eye-level, close-up of the bride’s face looking at Bill. This shows bride’s reaction to him being there. Furthermore, shows a clear representation to the audience that they both know each other and have a past.

In the seventh shot we see a close up, high angle, of Bill playing the pipe looking away from the bride. Again, showing they have a past. There is a series of reverse shots between shots six and seven this is to build tension and make it clear to the audience that this is an uncomfortable situation because they feel awkward and uncomfortable. In the eighth shot we see the bride leaning away with her back towards the man again. This shot is a medium shot and the bride is on the left side of the shot. However, on the right hand side the shot is empty. This is known as negative space. This was put in the shot for a reason to show that the relationship between the two characters is negative and is also a contrast to their relationship as it isn’t empty and they once had something there. In the ninth shot we see the brides face side on as the camera tracks her in moving closer to bill.

 

 

 

Thursday, 8 December 2016

US Independent film: Ain't Them Bodies Saints

Ain't Them Bodies Saints

Budget: $4 million. Not really a lot for a film.
Genre: Crime, Drama, Romance, lover on the lam. Range of genres to appeal to multiple fans of different genres could be interested to go and see this film.
Stars: Rooney Mara (Academy Award Nominee), Casey Affleck (Academy Award Nominee), Ben Foster. As on the posters it shows what the awards that the actors are nominated for it shows that there acting in the film is good so people will want to see the film. 
Box Office: $26,419. Not a lot. Probably because of the mixed reviews.
Production Company: Sailor Bear, Parts and Labor, Primary Productions.
Certificate: Rated R for violence. Restricts audience to older, an older audience seem to be the target audience.
Marketing: No tag lines found. Not much on social media, target audience is older and may not use much social media. 




Release Date: 16th August 2013. During the holidays so lots of people have time to go and see it. Audience is restricted by the R rating. a film with a r rating has n audience as they are usually more mature and explore more mature topics.
Reviews: Empire-An initially captivating but finally trying attempt at resuscitating the glory-glory days of the ’70s by a talented director who needs to find his own voice.
Common Sense Media-Parents need to know that Ain't Them Bodies Saints is a stylized, atmospheric indie drama that's part Western, part relationship drama. Chronicling the intense romance between an outlaw and his bride, the movie has been compared to both Bonnie and Clyde and Badlands, and you can expect a fair amount of gun violence and on-screen death.
Mixed reviews towards this film, which is probably why there is no profit from this film, as some people look at reviews to decide if they want to see the film or not. Most reviews are negative.
Awards: 
  • National Board of Review (NBR) award top ten independent films
  • Palm Springs International Film Festival, directors to watch David Lowery


Friday, 2 December 2016

Aims and context

Unrated
Waking up, getting ready, eats breakfast.  
Gets shovel and bags from garage. 
Drives away. 
Gets out walks towards field/lake, buries the bags. 
This repeats multiple times, different locations.
Upbeat music. 
Singing along in the car.
Can't hear them.
Last time bag gets opened. 
Item inside. 
Music goes when the bag falls open/is wet.
Only sound is the digging.  
Slams door, cuts to black.
Only sound is car driving away.
carries bag and shovel away, then back without the bag (mystery)

Camera attached to shovel when walking to and from, waving around as they are walking.
Shot of inside garage.
Camera facing up from the floor, facing from inside hole on the last bag.
Shot(s) in mirror of car.
Do not see full face.
Shot of feet walking before/after the shovel shot.
Point of view shot for the last bag.
Aimed at an older audience as not much gore is shown in the sequence

Modern day.
This is one of the opening scenes of a longer film.
Serial killer- the publicity that they would get now.
Inspiration: The difference between the publicity the two pairs of lovers get in badlands and natural born killers.
Not a Lovers on the lam film

Thursday, 1 December 2016

UK Production: David Brent: Life on the Road

David Brent: Life on the Road

Budget: Can't find 
Genre: Comedy
Stars: Ricky Gervais, Doc Brown, Rob Jarvis, Abbie Murphy
Box Office: $5,511,343
Production company: BBC Films, Entertainment one.
Certificate: 15. Restricting the audience. Already has a fan base as it was a TV show before a film (spinoff).
Marketing: Three posters, two tag lines "The Boss is back" and "I'm a friend first, boss second, probably an entertainer third." Clips of the film and adverts were put on social media to try and get a younger audience as well as the pre-existing audience. The clips that were put online were of jokes to give a taste of what is in the film.




Release date: 19th August 2016. Holidays, lots of people could be gone to see this but as it is rated a 15 it restricted the audience to either older families or older fans of the show.  
Reviews: The Guardian-At its worst – some weak gags about fat people, a couple of moments where Brent’s too stupid for his back story – it’s small, shabby and outdated.
Empire-David Brent has experienced all manner of humiliations – accidentally headbutting a potential secretary, getting fired on camera, the grunting majesty of The Dance – but as he wanders through this fitfully funny big screen resurrection you feel sorry for him for an entirely new reason. Slough’s premier chilled-out entertainer has been denied his perfect ending.
Variety-Should have no trouble connecting with the original show's sizable fanbase.
Reviews are mostly negative towards this film, but the film sill got $5 million in profits. This may be because Ricky Gervais is a well known comedian, there were songs that helped promote the film, and the original tv series fan base would want to see it as they watched the show.